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invisible city A |
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invisible city B |
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 畑中正人 1975年生まれ。独学で音楽を学ぶ。 音のオートクチュールをコンセプトに音のあり方を追求。舞台、芸術、建築、デザイン等の分野で数多くの作品を手掛ける注目の作曲家。08年、三宅一生21世紀人展、tokyo-wonderミラノサローネでも作品を発表し話題を集める。あらゆる音に生命を与える独自の手法は世界的に高い評価を得ている。 |
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 Masato Hatanaka His concept is haute couture sound and quests for the way sound should be. He is a composer who deals with creating many works in fields such as stages, art, architectire and design and all eyes are on him.In 2008, he presented his works at the ISSEY MIYAKE XXIc., Tokyo Wonder at Milano Salone and is highly acknowledged. His unique method of giving life to any kind of sound has been highly distinguished in the world. |
Masato Hatanaka 畑中正人
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 音は目に見えない。見えないからこそできるかたちや想いがある。会場の視覚的要素と調和する観点と、街そのもののエネルギーを純粋に伝えてみたいという観点から、街の音を母体とした音楽を作曲。街は多くの音で溢れている。時にアンサンブルを奏で、時に時代を映し、時に人の記憶に刻まれる。様々な音がメイン会場の中で交差し街並を作り上げる。それは目に見えないもうひとつの街の姿であり、聴覚へのデザインでもある。 |
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 Sound is invisble so that it enables you to create forms and think. He composed a piece of music that is embodiment of the sounds of the city, based on the harmonizing standpoint of the visual element of the venue and his wanting to convey the city energy. The city is overflowing with many sounds. Occasionally, ensembles are played, reflecting the generation and become planted in people's memory. Various sounds cross in the venue to make the streets. It is the invisible city as well as it is an audio design. |
